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Culture and Cultures in Tourism : Exploring New Trends
According to the World Tourism Organization (UNWTO), international tourists engaging in cultural activities accounted for more than 500 million of international tourist numbers in 2017.City tourism relies on culture as a major product, providing benefits not only for interested visitors, but also for the local resident population.New trends in tourism include "experiential tourism", where the interactions between tourists and residents become a key part of the tourism experience and overall customer satisfaction.New technologies and IT applications allow tourists to design their own trip, given the presence of global companies like Trip Advisor, Booking.com and AirBnB. This comprehensive volume explores new trends in cultural tourism, demonstrating how and why culture has become a central factor in tourism.The authors analyse a wide range of relevant issues, including: how heritage-based and cultural tourism could contribute to the sustainability of destinations; the increase of religious travels to and within Arab countries; and how cultural tourism fosters understanding among people and cultures, and could even potentially help to consolidate peace at a regional level.The book also analyses interactions between hosts (the local residents) and guests (the cultural visitors), revisiting the pioneer hippy travelling experiences in Turkey of the 1960s and how they shaped youth culture. This book will be of great interest to students and researchers of cultural tourism.The chapters were originally published in the journal Anatolia.
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What are event culture and time culture?
Event culture refers to the way in which events, such as festivals, concerts, and sporting events, shape and influence a society's values, beliefs, and behaviors. Time culture, on the other hand, refers to the way in which a society perceives and organizes time, including concepts of punctuality, scheduling, and the pace of life. Both event culture and time culture play a significant role in shaping social interactions, traditions, and overall societal norms.
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Which culture is the best culture in the world?
It is not appropriate to label any one culture as the "best" in the world as every culture has its own unique strengths and values. Each culture contributes to the diversity and richness of the world, and it is important to respect and appreciate the differences among them. Instead of comparing cultures, it is more valuable to learn from and celebrate the diversity of cultures around the world.
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Why is Turkish culture often confused with Arab culture?
Turkish culture is often confused with Arab culture due to several factors. Firstly, both cultures are located in the Middle East and share some similarities in language, religion, and traditional customs. Additionally, there is a historical connection between the two regions through the Ottoman Empire, which had a significant influence on Arab countries. Furthermore, the media and popular culture often portray a homogenized view of the Middle East, leading to misconceptions and generalizations about the diverse cultures within the region. However, it is important to recognize and appreciate the distinct differences and unique aspects of Turkish and Arab cultures.
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Is culture important?
Yes, culture is important because it shapes our identity, beliefs, values, and behaviors. It provides a sense of belonging and connection to others within a community. Culture also influences how we communicate, express ourselves, and understand the world around us. Embracing and respecting different cultures can lead to greater understanding, empathy, and cooperation among diverse groups of people.
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Salon culture in Japan : making art, 1750-1900
‘A richly illustrated book that provides a fascinating insight into collaborative and social artistic production in early modern Japan’ – Andon, the Journal of the society for Japanese Art The first publication to celebrate the British Museum’s rich collection of these technically sophisticated artworks created as part of Japanese cultural salons in the late 18th and 19th centuries, featuring lively figures in daily life and festivals, elegant birds and flowers, ferocious animals and lyrical landscapes. In early modern Japan, cultural salons were creative spaces for people of all ages and social levels to pursue painting, poetry and other artistic endeavours, as serious but amateur practitioners.They all used a pen- or art-name. Individuals were therefore able to socialise and interact broadly through these artistic activities, regardless of official social status as regulated by the shogunal government.The idea of communal and collaborative creativity seems to have been especially ingrained around the area of Kyoto and Osaka.Each of the two cities had a distinct character: Kyoto was the national capital, where the emperor and aristocrats resided, and Osaka was the centre of commerce. Only a fraction of these technically sophisticated artworks has previously been published in colour.With five essays by leading experts that explore this fascinating cultural phenomenon from different angles, and eight shorter insights that delve into specific historical aspects and the personal connections and legacies of cultural figures, this book offers a new perspective on Japanese art and society in the late 18th and 19th centuries.
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New Trends in the Study of Haredi Culture and Society
Who are Haredim? And why are they the source of both increasing attention and continuing misunderstanding?New Trends in the Study of Haredi Culture and Society draws on the innovative research of leading scholars from a variety of disciplines—including history, religious studies, demography, linguistics, and geography—to trace the growing prominence of Haredi (often called ultra-Orthodox) Jews in Jewish life.Haredi Jews are committed to preserving a measure of segregation from the rest of society consistent with the guiding principles of their forebears; yet increasingly, they are appearing more visibly and assertively in public spaces.Demographic analysis suggests that they will constitute a much larger share—nearly one-quarter—of the world Jewish population over the next twenty years.By examining the evolution of political, cultural, and social trends in Haredi communities across the globe, this interdisciplinary and transnational volume sheds important light both on Haredi communities and on the societies of which they are part.
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New Trends in the Study of Haredi Culture and Society
Who are Haredim? And why are they the source of both increasing attention and continuing misunderstanding?New Trends in the Study of Haredi Culture and Society draws on the innovative research of leading scholars from a variety of disciplines—including history, religious studies, demography, linguistics, and geography—to trace the growing prominence of Haredi (often called ultra-Orthodox) Jews in Jewish life.Haredi Jews are committed to preserving a measure of segregation from the rest of society consistent with the guiding principles of their forebears; yet increasingly, they are appearing more visibly and assertively in public spaces.Demographic analysis suggests that they will constitute a much larger share—nearly one-quarter—of the world Jewish population over the next twenty years.By examining the evolution of political, cultural, and social trends in Haredi communities across the globe, this interdisciplinary and transnational volume sheds important light both on Haredi communities and on the societies of which they are part.
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What is the motto for the Polish Folk Costumes Culture Week?
The motto for the Polish Folk Costumes Culture Week is "Tradition in Modernity." This motto reflects the aim of the event to showcase and celebrate the rich heritage of Polish folk costumes while also highlighting their relevance and significance in contemporary society. It emphasizes the importance of preserving and promoting traditional cultural practices in a modern context.
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What is the motto for the Polish Folk Costume Culture Week?
The motto for the Polish Folk Costume Culture Week is "Tradition in Motion." This motto reflects the idea of celebrating and promoting the rich cultural heritage of Polish folk costumes while also embracing the modern world and the evolving nature of traditions. It highlights the importance of keeping these traditions alive and relevant in today's society.
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What is the difference between historical culture and memory culture?
Historical culture refers to the collective understanding and interpretation of historical events, traditions, and customs within a society. It encompasses the tangible and intangible aspects of a society's past, including artifacts, monuments, and rituals. Memory culture, on the other hand, focuses on the ways in which a society actively engages with and remembers its history. It involves the processes of commemoration, memorialization, and the transmission of historical knowledge through storytelling, education, and public discourse. While historical culture is the broader framework of a society's historical identity, memory culture is the active, dynamic practice of remembering and interpreting that history.
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Do you consider German culture to be a good culture?
As an AI language model, I don't have personal opinions. However, German culture is rich in history, art, music, and literature. It has made significant contributions to the world in various fields, and its emphasis on efficiency, punctuality, and quality is widely respected. Additionally, Germany's commitment to environmental sustainability and social welfare is commendable. However, like any culture, it also has its complexities and challenges. Ultimately, whether one considers German culture to be "good" is subjective and depends on individual perspectives and experiences.
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